Audio Engineering Society AES New York 2013

AES New York 2013
Broadcast & Streaming Media Track Events

The renowned AES Broadcast/Streaming Media Track is in its third decade as the industry's best forum for the latest advances in radio, TV, and Internet streaming with top experts in the field.

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Wednesday, October 16

Wednesday, October 16, 5:00 pm — 7:00 pm
Workshop Session W21   Lies, Damn Lies, and Audio Gear Specs

 

Thursday, October 17

Thursday, October 17, 9:00 am — 11:00 am
Live Sound Seminar Session LS1   AC Power and Grounding

Thursday, October 17, 9:00 am — 10:30 am
Workshop Session W1   Applications of 3D Audio in Automotive

Thursday, October 17, 9:00 am — 10:30 am
Product Design Session PD1   Best Practices in Audio Software Development

Thursday, October 17, 9:00 am — 10:30 am
Tutorial Session T1   FXpertise: Compression

Thursday, October 17, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B1   Television Loudness and Metadata

Thursday, October 17, 10:30 am — 12:00 pm
Broadcast and Streaming Media Session B2   Audio for 4K TV

Thursday, October 17, 10:30 am — 12:30 pm
Workshop Session W3   Acoustic Enhancements Systems—Implementations

Thursday, October 17, 11:00 am — 1:00 pm
Workshop Session W4   Microphone Specifications—Believe it or Not

Thursday, October 17, 2:15 pm — 3:45 pm
Broadcast and Streaming Media Session B3   Listener Fatigue and Retention

Thursday, October 17, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS2   Audio Network and Transport

Thursday, October 17, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B4   Loudness Control for Radio and Internet Streaming

Thursday, October 17, 4:30 pm — 6:00 pm
Networked Audio Session N1   One Network to Rule Them All

Thursday, October 17, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B5   Is it Time to Retire the MP3 Protocol for Streaming

Thursday, October 17, 6:00 pm — 7:00 pm
Networked Audio Session N2   A Primer on Fundamental Concepts of Media Networking

 

Friday, October 18

Friday, October 18, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B6   Audio for Mobile TV

Friday, October 18, 9:00 am — 10:30 am
Tutorial Session T6   FXpertise: Equalization

Friday, October 18, 9:00 am — 12:00 pm
Paper Session P8   Recording and Production

P8-1   Music Consumption Behavior of Generation Y and the Reinvention of the Recording Industry (Paper: 8956)

P8-3   Maximum Averaged and Peak Levels of Vocal Sound Pressure (Paper: 8958)

P8-4   Listener Adaptation in the Control Room: The Effect of Varying Acoustics on Listener Familiarization (Paper: 8959)

P8-5   Spectral Characteristics of Popular Commercial Recordings 1950-2010 (Paper: 8960)


Friday, October 18, 9:00 am — 11:30 am
Paper Session P9   Applications in Audio—Part I

P9-1   Audio Device Representation, Control, and Monitoring Using SNMP (Paper: 8962)

P9-2   IP Audio in the Real-World; Pitfalls and Practical Solutions Encountered and Implemented when Rolling Out the Redundant Streaming Approach to IP Audio (Paper: 8963)

P9-3   Implementation of AES-64 Connection Management for Ethernet Audio/Video Bridging Devices (Paper: 8964)

P9-4   Simultaneous Acquisition of a Massive Number of Audio Channels through Optical Means (Paper: 8965)


Friday, October 18, 9:00 am — 10:30 am
Workshop Session W10   National Recording Preservation Plan: Best Practices for Creating and Preserving Born-Digital Audio Files

Friday, October 18, 10:30 am — 12:30 pm
Workshop Session W11   Audio Source Separation

Friday, October 18, 10:30 am — 12:00 pm
Workshop Session W12   FX Design Panel: Equalization

Friday, October 18, 11:30 am — 1:00 pm
Sound for Picture Session SP1   Creative Dimension of Immersive Sound—Sound in 3D

Friday, October 18, 12:30 pm — 2:00 pm
Broadcast and Streaming Media Session B7   Broadcasting During a Disaster

Friday, October 18, 1:00 pm — 2:00 pm
Project Studio Expo: Mixing Secrets: Production Tricks to Use with any DAW

Friday, October 18, 2:15 pm — 4:45 pm
Paper Session P11   Perception—Part 1

P11-4   Evaluation of Loudness Meters Using Parameterization of Fader Movements (Paper: 8973)


Friday, October 18, 2:30 pm — 4:00 pm
Sound for Picture Session SP2   Cinema Sound Standards Collapse Leaving Turmoil—An Overview of the State of the Art

Friday, October 18, 2:30 pm — 3:30 pm
Networked Audio Session N3   The Role of Standards in Audio Networking

Friday, October 18, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS6   Wireless Microphones and Performers: Mic Placement and Handling for Multiple Actors

Friday, October 18, 3:00 pm — 4:30 pm
Poster Session P12   Signal Processing

P12-8   Improvement in Parametric High-Band Audio Coding by Controlling Temporal Envelope with Phase Parameter (Paper: 8982)


Friday, October 18, 3:30 pm — 5:00 pm
Networked Audio Session N4   Command and Control Protocols, Target Application Use Cases

Friday, October 18, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B8   Content Delivery and the Mobile Initiative

Friday, October 18, 5:30 pm — 7:00 pm
Product Design Session PD2   High-Order Harmonic Distortion Measurement of Amplifiers and its Impact on Fidelity

Friday, October 18, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B9   Modern Audio Transportation Techniques for Remote Broadcasts

 

Saturday, October 19

Saturday, October 19, 9:00 am — 10:30 am
Sound for Picture Session SP3   Dialog Editing and Mixing for Film (Sound for Pictures Master Class)

Saturday, October 19, 9:00 am — 11:00 am
Product Design Session PD3   Telephony: An Introduction to the Acoustics of Personal Telecommunications Devices

Saturday, October 19, 9:00 am — 11:00 am
Live Sound Seminar Session LS8   Design Meets Reality: The A2’s and Production Sound Mixer’s Challenges, Obstacles, and Responsibilities for Loading in and Implementing the Sound Designer’s Concept

Saturday, October 19, 9:00 am — 10:30 am
Tutorial Session T12   FXpertise: Distortion

Saturday, October 19, 9:00 am — 11:30 am
Paper Session P13   Applications in Audio—Part 2

P13-1   Level-Normalization of Feature Films Using Loudness vs Speech (Paper: 8983)

P13-2   Sound Identification from MPEG-Encoded Audio Files (Paper: 8984)


Saturday, October 19, 9:30 am — 11:00 am
Broadcast and Streaming Media Session B10   Technology and Storytelling: How Can We Best Use the Tools Available to Tell Our Stories?

Saturday, October 19, 10:30 am — 12:00 pm
Sound for Picture Session SP4   Music Production for Film (Sound for Pictures Master Class)

Saturday, October 19, 10:30 am — 12:00 pm
Workshop Session W16   FX Design Panel: Distortion

Saturday, October 19, 11:00 am — 12:30 pm
Product Design Session PD4   Loudspeaker Nonlinear Identification

Saturday, October 19, 12:00 pm — 1:00 pm
Project Studio Expo: It Won't Sound Right If You Don't Hear It Right: Studio Acoustics, Monitoring & Critical Listening

Saturday, October 19, 1:00 pm — 2:00 pm
Project Studio Expo: Take Your Studio On Stage: Live Performance with Laptops, Looping Pedals & Other Studio Tech

Saturday, October 19, 1:30 pm — 3:00 pm
Broadcast and Streaming Media Session B11   Maintenance, Repair, and Troubleshooting

Saturday, October 19, 2:00 pm — 3:30 pm
Sound for Picture Session SP5   Sound Design for Film (Sound for Pictures Master Class)

Saturday, October 19, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS10   Production Wireless Systems: An Examination of Antennas, Coax, Filters, and Other Tips and Tricks from the Experts

Saturday, October 19, 3:00 pm — 4:00 pm
Project Studio Expo: Loudness, Levels, and Metering

Saturday, October 19, 3:00 pm — 4:30 pm
Poster Session P15   Applications in Audio—Part I

P15-2   Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers (Paper: 8996)

P15-3   An Objective Comparison of Stereo Recording Techniques through the Use of Subjective Listener Preference Ratings (Paper: 8997)

P15-4   Tampering Detection of Digital Recordings Using Electric Network Frequency and Phase Angle (Paper: 8998)


Saturday, October 19, 3:00 pm — 5:00 pm
Workshop Session W19   "Help! I Have a Tape Recorder!"—Restoration and Rebuilding Analog Tape Machines

Saturday, October 19, 3:15 pm — 4:45 pm
Product Design Session PD5   The Power of the Brand

Saturday, October 19, 3:15 pm — 4:45 pm
Broadcast and Streaming Media Session B12   HTML5 and Streaming

Saturday, October 19, 3:30 pm — 5:00 pm
Sound for Picture Session SP6   World-Class Cinema Sound Mixers Discuss Their Craft

Saturday, October 19, 4:30 pm — 7:00 pm
Live Sound Seminar Session LS11   TVBDs, Geo-Location Databases, and Upcoming Spectrum Auctions: An In-Depth Look and Their Impact on Wireless Microphone Operations

Saturday, October 19, 5:00 pm — 6:30 pm
Broadcast and Streaming Media Session B13   Facility Design

Saturday, October 19, 5:00 pm — 7:00 pm
Workshop Session W22   Loudness Wars: Leave Those Peaks Alone

 

Sunday, October 20

Sunday, October 20, 9:00 am — 12:00 pm
Paper Session P16   Spatial Audio—Part 2

P16-4   A Perceptual Evaluation of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio (Paper: 9004)


Sunday, October 20, 9:00 am — 10:30 am
Tutorial Session T17   FXpertise: Reverb

Sunday, October 20, 10:30 am — 12:30 pm
Sound for Picture Session SP7   Sound for "A Deadliest Catch"—Reality Is Hard Work

Sunday, October 20, 10:30 am — 12:00 pm
Workshop Session W26   FX Design Panel: Reverb

Sunday, October 20, 11:00 am — 12:30 pm
Networked Audio Session N5   X192 / AES67: How the New Networked Audio Interoperability Standard Was Designed

Sunday, October 20, 1:00 pm — 2:15 pm
Systems Sound Symposium Session SS3   AV/IT Convergence—The Practicalities of Networked Audio in Permanent Installations

Sunday, October 20, 2:30 pm — 4:30 pm
Product Design Session PD7   Is Your Equipment Design a Noise Problem Waiting to Happen?

 

Last Updated: 20140106


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