AES New York 2013
Broadcast & Streaming Media Track Events
The renowned AES Broadcast/Streaming Media Track is in its third decade as the industry's best forum for the latest advances in radio, TV, and Internet streaming with top experts in the field.
This page is also available in calendar format.
Wednesday, October 16
Wednesday, October 16, 5:00 pm — 7:00 pm
Workshop Session W21 Lies, Damn Lies, and Audio Gear Specs
Thursday, October 17
Thursday, October 17, 9:00 am — 11:00 am
Live Sound Seminar Session LS1 AC Power and Grounding
Thursday, October 17, 9:00 am — 10:30 am
Workshop Session W1 Applications of 3D Audio in Automotive
Thursday, October 17, 9:00 am — 10:30 am
Product Design Session PD1 Best Practices in Audio Software Development
Thursday, October 17, 9:00 am — 10:30 am
Tutorial Session T1 FXpertise: Compression
Thursday, October 17, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B1 Television Loudness and Metadata
Thursday, October 17, 10:30 am — 12:00 pm
Broadcast and Streaming Media Session B2 Audio for 4K TV
Thursday, October 17, 10:30 am — 12:30 pm
Workshop Session W3 Acoustic Enhancements Systems—Implementations
Thursday, October 17, 11:00 am — 1:00 pm
Workshop Session W4 Microphone Specifications—Believe it or Not
Thursday, October 17, 2:15 pm — 3:45 pm
Broadcast and Streaming Media Session B3 Listener Fatigue and Retention
Thursday, October 17, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS2 Audio Network and Transport
Thursday, October 17, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B4 Loudness Control for Radio and Internet Streaming
Thursday, October 17, 4:30 pm — 6:00 pm
Networked Audio Session N1 One Network to Rule Them All
Thursday, October 17, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B5 Is it Time to Retire the MP3 Protocol for Streaming
Thursday, October 17, 6:00 pm — 7:00 pm
Networked Audio Session N2 A Primer on Fundamental Concepts of Media Networking
Friday, October 18
Friday, October 18, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B6 Audio for Mobile TV
Friday, October 18, 9:00 am — 10:30 am
Tutorial Session T6 FXpertise: Equalization
Friday, October 18, 9:00 am — 12:00 pm
Paper Session P8 Recording and Production
P8-1 Music Consumption Behavior of Generation Y and the Reinvention of the Recording Industry (Paper: 8956)
P8-3 Maximum Averaged and Peak Levels of Vocal Sound Pressure (Paper: 8958)
P8-4 Listener Adaptation in the Control Room: The Effect of Varying Acoustics on Listener Familiarization (Paper: 8959)
P8-5 Spectral Characteristics of Popular Commercial Recordings 1950-2010 (Paper: 8960)
Friday, October 18, 9:00 am — 11:30 am
Paper Session P9 Applications in Audio—Part I
P9-1 Audio Device Representation, Control, and Monitoring Using SNMP (Paper: 8962)
P9-2 IP Audio in the Real-World; Pitfalls and Practical Solutions Encountered and Implemented when Rolling Out the Redundant Streaming Approach to IP Audio (Paper: 8963)
P9-3 Implementation of AES-64 Connection Management for Ethernet Audio/Video Bridging Devices (Paper: 8964)
P9-4 Simultaneous Acquisition of a Massive Number of Audio Channels through Optical Means (Paper: 8965)
Friday, October 18, 9:00 am — 10:30 am
Workshop Session W10 National Recording Preservation Plan: Best Practices for Creating and Preserving Born-Digital Audio Files
Friday, October 18, 10:30 am — 12:30 pm
Workshop Session W11 Audio Source Separation
Friday, October 18, 10:30 am — 12:00 pm
Workshop Session W12 FX Design Panel: Equalization
Friday, October 18, 11:30 am — 1:00 pm
Sound for Picture Session SP1 Creative Dimension of Immersive Sound—Sound in 3D
Friday, October 18, 12:30 pm — 2:00 pm
Broadcast and Streaming Media Session B7 Broadcasting During a Disaster
Friday, October 18, 1:00 pm — 2:00 pm
Project Studio Expo: Mixing Secrets: Production Tricks to Use with any DAW
Friday, October 18, 2:15 pm — 4:45 pm
Paper Session P11 Perception—Part 1
P11-4 Evaluation of Loudness Meters Using Parameterization of Fader Movements (Paper: 8973)
Friday, October 18, 2:30 pm — 4:00 pm
Sound for Picture Session SP2 Cinema Sound Standards Collapse Leaving Turmoil—An Overview of the State of the Art
Friday, October 18, 2:30 pm — 3:30 pm
Networked Audio Session N3 The Role of Standards in Audio Networking
Friday, October 18, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS6 Wireless Microphones and Performers: Mic Placement and Handling for Multiple Actors
Friday, October 18, 3:00 pm — 4:30 pm
Poster Session P12 Signal Processing
P12-8 Improvement in Parametric High-Band Audio Coding by Controlling Temporal Envelope with Phase Parameter (Paper: 8982)
Friday, October 18, 3:30 pm — 5:00 pm
Networked Audio Session N4 Command and Control Protocols, Target Application Use Cases
Friday, October 18, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B8 Content Delivery and the Mobile Initiative
Friday, October 18, 5:30 pm — 7:00 pm
Product Design Session PD2 High-Order Harmonic Distortion Measurement of Amplifiers and its Impact on Fidelity
Friday, October 18, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B9 Modern Audio Transportation Techniques for Remote Broadcasts
Saturday, October 19
Saturday, October 19, 9:00 am — 10:30 am
Sound for Picture Session SP3 Dialog Editing and Mixing for Film (Sound for Pictures Master Class)
Saturday, October 19, 9:00 am — 11:00 am
Product Design Session PD3 Telephony: An Introduction to the Acoustics of Personal Telecommunications Devices
Saturday, October 19, 9:00 am — 11:00 am
Live Sound Seminar Session LS8 Design Meets Reality: The A2’s and Production Sound Mixer’s Challenges, Obstacles, and Responsibilities for Loading in and Implementing the Sound Designer’s Concept
Saturday, October 19, 9:00 am — 10:30 am
Tutorial Session T12 FXpertise: Distortion
Saturday, October 19, 9:00 am — 11:30 am
Paper Session P13 Applications in Audio—Part 2
P13-1 Level-Normalization of Feature Films Using Loudness vs Speech (Paper: 8983)
P13-2 Sound Identification from MPEG-Encoded Audio Files (Paper: 8984)
Saturday, October 19, 9:30 am — 11:00 am
Broadcast and Streaming Media Session B10 Technology and Storytelling: How Can We Best Use the Tools Available to Tell Our Stories?
Saturday, October 19, 10:30 am — 12:00 pm
Sound for Picture Session SP4 Music Production for Film (Sound for Pictures Master Class)
Saturday, October 19, 10:30 am — 12:00 pm
Workshop Session W16 FX Design Panel: Distortion
Saturday, October 19, 11:00 am — 12:30 pm
Product Design Session PD4 Loudspeaker Nonlinear Identification
Saturday, October 19, 12:00 pm — 1:00 pm
Project Studio Expo: It Won't Sound Right If You Don't Hear It Right: Studio Acoustics, Monitoring & Critical Listening
Saturday, October 19, 1:00 pm — 2:00 pm
Project Studio Expo: Take Your Studio On Stage: Live Performance with Laptops, Looping Pedals & Other Studio Tech
Saturday, October 19, 1:30 pm — 3:00 pm
Broadcast and Streaming Media Session B11 Maintenance, Repair, and Troubleshooting
Saturday, October 19, 2:00 pm — 3:30 pm
Sound for Picture Session SP5 Sound Design for Film (Sound for Pictures Master Class)
Saturday, October 19, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS10 Production Wireless Systems: An Examination of Antennas, Coax, Filters, and Other Tips and Tricks from the Experts
Saturday, October 19, 3:00 pm — 4:00 pm
Project Studio Expo: Loudness, Levels, and Metering
Saturday, October 19, 3:00 pm — 4:30 pm
Poster Session P15 Applications in Audio—Part I
P15-2 Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers (Paper: 8996)
P15-3 An Objective Comparison of Stereo Recording Techniques through the Use of Subjective Listener Preference Ratings (Paper: 8997)
P15-4 Tampering Detection of Digital Recordings Using Electric Network Frequency and Phase Angle (Paper: 8998)
Saturday, October 19, 3:00 pm — 5:00 pm
Workshop Session W19 "Help! I Have a Tape Recorder!"—Restoration and Rebuilding Analog Tape Machines
Saturday, October 19, 3:15 pm — 4:45 pm
Product Design Session PD5 The Power of the Brand
Saturday, October 19, 3:15 pm — 4:45 pm
Broadcast and Streaming Media Session B12 HTML5 and Streaming
Saturday, October 19, 3:30 pm — 5:00 pm
Sound for Picture Session SP6 World-Class Cinema Sound Mixers Discuss Their Craft
Saturday, October 19, 4:30 pm — 7:00 pm
Live Sound Seminar Session LS11 TVBDs, Geo-Location Databases, and Upcoming Spectrum Auctions: An In-Depth Look and Their Impact on Wireless Microphone Operations
Saturday, October 19, 5:00 pm — 6:30 pm
Broadcast and Streaming Media Session B13 Facility Design
Saturday, October 19, 5:00 pm — 7:00 pm
Workshop Session W22 Loudness Wars: Leave Those Peaks Alone
Sunday, October 20
Sunday, October 20, 9:00 am — 12:00 pm
Paper Session P16 Spatial Audio—Part 2
P16-4 A Perceptual Evaluation of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio (Paper: 9004)
Sunday, October 20, 9:00 am — 10:30 am
Tutorial Session T17 FXpertise: Reverb
Sunday, October 20, 10:30 am — 12:30 pm
Sound for Picture Session SP7 Sound for "A Deadliest Catch"—Reality Is Hard Work
Sunday, October 20, 10:30 am — 12:00 pm
Workshop Session W26 FX Design Panel: Reverb
Sunday, October 20, 11:00 am — 12:30 pm
Networked Audio Session N5 X192 / AES67: How the New Networked Audio Interoperability Standard Was Designed
Sunday, October 20, 1:00 pm — 2:15 pm
Systems Sound Symposium Session SS3 AV/IT Convergence—The Practicalities of Networked Audio in Permanent Installations
Sunday, October 20, 2:30 pm — 4:30 pm
Product Design Session PD7 Is Your Equipment Design a Noise Problem Waiting to Happen?
Last Updated: 20140106
