2026 AES 6th International Conference on Audio for Virtual and Augmented Reality

Call for Submissions: DEADLINE EXTENDED

Updated: January 12, 2026

Event:

Key Details:

2026 AES 6th International Conference on Audio for Virtual and Augmented Reality

Sorbonne University Paris, France
June 30, 2026 - July 3, 2026

Submission Quick Links:

Key dates:

Note: This is an in-person event only, there will be no online presentations.

Peer-Reviewed Paper Submission Deadline (Category 1)

31 March 2026

Peer-Reviewed Paper Acceptance Notification (Category 1)

8 May 2026

Abstract/Precis Submission Deadline (Category 2)

31 March 2026

Abstract/Precis Acceptance Notification (Category 2)

8 May 2026

Workshop Submission Deadline

31 March 2026

Workshop Acceptance Notification

8 May 2026

Paper Final Manuscript Deadline 

26 May 2026

(Note that the submission site login is NOT the same as your AES login. You will need to create an EasyChair account if you have not submitted via that platform before.)

Updated: January 31, 2026

Submission Guidelines

The Audio Engineering Society is committed to diversity, equity, and inclusion in the audio community. We encourage submissions to AES events from all audio professionals. We welcome diverse genres, embrace emergent audio fields and research, and strive to radiate inclusiveness to all.

Proposals describing work in the area of Audio for Virtual and Augmented Reality will be considered for inclusion in the conference sessions. A detailed list of proposed topics is given below. Please also take the time to review the AES Convention and Conference Author Guidelines before submitting.

Peer Reviewed Papers (Category 1)

Authors are asked to submit a complete manuscript of a maximum of 10 pages to the submission site by 31 March 2026. These complete manuscript papers will be reviewed by at least two experts in the field and the authors will be notified of acceptance by 8 May 2026.

We will be using blind reviews for this Conference.

Downloadable Templates

Final paper templates can be downloaded from easychair 

**IMPORTANT NOTE** There have been some issues reported with the LaTeX templates. In your Overleaf project, if you delete the file latexrelease.sty so that the compiler can use the updated version that has been installed in the system itself, the project should compile without errors.

Abstract/Precis (Category 2) Authors are asked to submit an extended summary of 300-750 words by 31 March 2026. These proposals will be reviewed by at least two experts in the field and the authors will be notified of acceptance by 8 May 2026.

Final paper templates can be downloaded from easychair

Downloadable Templates

Download the LaTeX template here (Category 2). 

Download the Word template here (Category 2).

**IMPORTANT NOTE** There have been some issues reported with the LaTeX templates. In your Overleaf project, if you delete the file latexrelease.sty so that the compiler can use the updated version that has been installed in the system itself, the project should compile without errors.

Call for Workshops

We are seeking experts and professionals involved in audio for virtual and augmented reality as well as those engaged in other areas of professional audio to participate in workshops, tutorials, and masterclasses. These sessions aim to cover a range of topics related to virtual and augmented reality, including research and implementation, recording, production, and content creation. Proposals should include a title, an abstract (60-120 words), and a description (up to 500). Additionally, the submission should include the number and names of presenters, presentation format (single presenter, panel discussion, etc.), preferred presentation duration, and a list of topics and technical requirements (sound requirements during the presentation, such as stereo, multichannel, etc.). The deadline for workshop submissions is 31 March 2026. Notifications regarding acceptance will be sent no later than 8 May 2026.

Publication

Accepted papers will be included in the conference proceedings. The papers will be published in the AES E-Library no earlier than 10 days before the conference starts.

AES Conference and Convention papers are also listed in Scopus.

Authors will have the option of submitting Open Access papers. For further information see HERE

Proposed Topics

 
  • 3D audio mixing and content production
  • 6DoF navigable spatial audio / soundfield interpolation
  • Acoustic simulation of immersive audio environments
  • Audio analysis and synthesis
  • Audio capture and synthesis for immersive soundfields and applications
  • Audio Everywhere: From Enterprise and Broadcast to Cross-Platform VR
  • Audio for location-based installations (entertainment, exhibits)
  • Audio for mobile and handheld devices / interactive sound (implementation focused)
  • Audio signal processing
  • Auditory rendering platforms / loudspeakers & headphones (device-specific focus)
  • Audio signal processing
  • Binaural audio rendering / reproduction
  • Cross-modal interaction (sound + image + haptics)
  • Developing audio standards for VR/AR applications
  • Game engines in audio production and post-production
  • Immersive / interactive sound design
  • Immersive and interactive audio over networks
  • Audio signal processing
  • Immersive audio codecs (for interactive / real-time playback in games)
  • Immersive sound production techniques for remote work
  • Machine learning, deep learning, or AI for audio
  • Music composition for immersive media
  • Perception and subjective evaluation of spatial / immersive audio
  • Perceptual effects of cross-modal interaction in immersive game contexts
  • Room Acoustics Identification
  • Sound effects / production techniques / Future production workflows
  • Spatial audio (3D audio, ambisonics, object-based)
  • Spatial audio quality, compression, streaming, and latency
  • Transparent hearing applications and hardware
  • Virtual / Augmented / Mixed Reality applications (case studies)
  • Virtual environment modelling (synthetic sound fields, reverberation)

Peer Reviewed Papers

Papers may be submitted by a single author or a group of authors. For each paper, a single “presenting author” is designated on the paper submission website – usually the person who will present the paper at the Conference. The presenting author will be required to pay a Presenting Author Fee at the following reduced rates:

  • Author Fee (member): $488
  • Author Fee (Nonmember): $640
  • Student Author: $200

Authors presenting more than one paper are only required to pay one Presenting Author Fee.

Co-authors of a paper are welcome, and encouraged, to attend but should register via the public registration website.

Presenting Authors will receive registrations instructions with their acceptance notice.

Workshops/Tutorials

All Workshop presenters are required to pay a conference registration fee at the following applicable rate:

  • Workshop Fee: $325

Instructions will be sent with the acceptance information.

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