Join AES San Francisco for a presentation on Physical Modeling Synthesis History, Applications and the Future, with Gregory Pat Scandalis, Dr. Julius O Smith III, Nick Porcaro and Jordan Rudess at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA). The story of physical modeling spans nearly a thousand years—from early explorations of… Continue reading Past Events
18 May
7:00 pm - 9:00 pm
CCRMA | The Knoll, Room 217, 660 Lomita Drive Stanford, CA 94305
Presented by the AES Technical Committee on Machine Learning and Artificial Intelligence (TC-MLAI), this panel discussion will explore legal and ethical issues surrounding AI and voices in audio engineering.
The Audio Engineering Society Nashville Section has announced dates for the 28th Annual AudioMasters Nashville Benefit Golf Tournament, set to take place May 14–15, 2026, once again at the scenic Harpeth Hills Golf Course, in benefit of the Nashville Engineer Relief Fund (NERF).
AES NY Section Is pleased to announce another incredible live event coming up on May 5th at Chelsea Studios, featuring a panel discussion and Q&A with Joe Mardin, Dana N. Dowd and Adam Dorn (Mocean Worker) who have created the podcast Off The Record-On The Charts ( https://www.facebook.com/profile.php?id=61560709386080 ), about their respective fathers, legendary Atlantic Records producers, Arif Mardin, Tom Dowd and Joel Dorn. Moderated by Roger Friedman. ( https://www.facebook.com/roger.showbiz411 )Tickets are limited and are available here: bit.ly/AESNY2602We are planning to Stream the event on our Facebook page ( https://www.facebook.com/groups/aesnyofficial ) We will capture the video and post it at a later date on the sections youtube ( https://youtube.com/playlist?list=PLWpB7eKxGrJmeHFz1kGvR1_Xv99Sy-_q2&si=DqCGrWgm7JrxyyfG ). Join us for wonderful content, great networking opportunities, and a visit to one of New York City's premier recording facilities.
There are many ways of implementing immersive audio, across a variety of applications. The experts in this panel represent a plurality of experiences, and will share a variety of paths and approaches to this continually expanding field. Across the discussion, they’ll be sharing insights on hardware and software that can democratize access and reach massive audiences, as well as new applications of immersive audio that could be “the next big thing” that audio engineers need to prepare for.
This month’s lecture will present a history of modern acoustical science for performing arts venues. It will be given by John O’Keefe and is dedicated to our good friend, the late Terry Medwedyk.
