Perceptual Audio Coders "What to listen for"

Erne M. Perceptual Audio Coders "What to listen for". In: AES Convention 111. Audio Engineering Society; 2001. Paper 5489. Available from: https://aes.org/publications/elibrary-page/?id=9836

@inproceedings{Erne2001_9836,
  author = {Erne, Markus},
  title = {{Perceptual Audio Coders "What to listen for"}},
  booktitle = {AES Convention 111},
  note = {Paper 5489},
  year = {2001},
  month = nov,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=9836}
}

TY  - CPAPER
TI  - Perceptual Audio Coders "What to listen for"
AU  - Erne, Markus
T2  - AES Convention 111
M1  - Paper 5489
PY  - 2001
DA  - 2001/11/06
UR  - https://aes.org/publications/elibrary-page/?id=9836
PB  - Audio Engineering Society
LA  - en
AB  - Low-bit rate audio coding has become a widely used technology during past years. By of the use of sophisticated signal processing techniques, exploiting psychoacoustic phenomena, nontransparent coding results in artifacts sounding very different from traditional distortions which are frequently not obvious at all to the untrained listener. The AES Technical Committee on Audio Coding therefore has started an activity to produce a CD-ROM which presents some of the most common coding artifacts in more detail. The CD-ROM not only explains and comments each of the coding artifacts separately but for each artifact, audio examples are presented, using different degrees of distortion, varying from "subtle" up to "obvious".
ER  -