Microphone Techniques for Multichannel Surround Sound

Mason R. Microphone Techniques for Multichannel Surround Sound. In: AES Conference: UK 14th Conference: Audio - The Second Century. Audio Engineering Society; 1999. Paper ASC-03. Available from: https://aes.org/publications/elibrary-page/?id=7982

@inproceedings{Mason1999_7982,
  author = {Mason, Russell},
  title = {{Microphone Techniques for Multichannel Surround Sound}},
  booktitle = {AES Conference: UK 14th Conference: Audio - The Second Century},
  note = {Paper ASC-03},
  year = {1999},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=7982}
}

TY  - CPAPER
TI  - Microphone Techniques for Multichannel Surround Sound
AU  - Mason, Russell
T2  - AES Conference: UK 14th Conference: Audio - The Second Century
M1  - Paper ASC-03
PY  - 1999
DA  - 1999/06/06
UR  - https://aes.org/publications/elibrary-page/?id=7982
PB  - Audio Engineering Society
LA  - en
AB  - A controlled subjective test was carried out to assess selected qualities of three microphone techniques for capturing the ambient sound of a concert hall surround sound. The effects of signal delay between the front and rear channels and microphone distance were explored. The tests indicate that the perceived results are programme-dependent, but that a compromise can be found using delayed close microphones, giving similar quality for the range of programme items used.
ER  -