J. Yuen and A. Horner, “Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms (P),” J. Audio Eng. Soc., vol. 45, no. 5, pp. 316–330, May 1997.
Yuen J, Horner A. Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms (P). J Audio Eng Soc. 1997;45(5):316-330. Available from: https://aes.org/publications/elibrary-page/?id=7858
@article{Yuen1997_7858,
author = {Yuen, Jennifer and Horner, Andrew},
title = {{Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms (P)}},
journal = {Journal of the Audio Engineering Society},
volume = {45},
number = {5},
pages = {316--330},
year = {1997},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=7858}
}
TY - JOUR
TI - Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms (P)
AU - Yuen, Jennifer
AU - Horner, Andrew
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 45
IS - 5
SP - 316
EP - 330
PY - 1997
DA - 1997/05/06
UR - https://aes.org/publications/elibrary-page/?id=7858
PB - Audio Engineering Society
LA - en
AB - A hybrid sampling and wavetable synthesis method is introduced for matching acoustic instruments using genetic algorithm optimization. The method uses sampling for the critical attack portion of the tone and wavetable synthesis to match the more gradually changing sustain and decay. To perform a smooth transition between them, a hybrid sampling-wavetable crossfade is used. Various tones from the piano, harp, glockenspiel, and temple block were matched. Listening tests have found the matches indistinguishable from the original tones.
ER -