Classical Large-Scale Open Air Concert Using an Integrated Concept of Stage Acoustics, Sound Reinforcement, and Virtual Acoustics

Toegel AP. Classical Large-Scale Open Air Concert Using an Integrated Concept of Stage Acoustics, Sound Reinforcement, and Virtual Acoustics. In: AES Convention 101. Audio Engineering Society; 1996. Paper 4324. Available from: https://aes.org/publications/elibrary-page/?id=7455

@inproceedings{Toegel1996_7455,
  author = {Toegel, Adolf P.},
  title = {{Classical Large-Scale Open Air Concert Using an Integrated Concept of Stage Acoustics, Sound Reinforcement, and Virtual Acoustics}},
  booktitle = {AES Convention 101},
  note = {Paper 4324},
  year = {1996},
  month = nov,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=7455}
}

TY  - CPAPER
TI  - Classical Large-Scale Open Air Concert Using an Integrated Concept of Stage Acoustics, Sound Reinforcement, and Virtual Acoustics
AU  - Toegel, Adolf P.
T2  - AES Convention 101
M1  - Paper 4324
PY  - 1996
DA  - 1996/11/06
UR  - https://aes.org/publications/elibrary-page/?id=7455
PB  - Audio Engineering Society
LA  - en
AB  - In order to create good sound for classical open-air performances, it is not only necessary to have a good mix and amplification system but also to sound natural and the classical music needs the impression of ambience. This paper describes the sound concept of a performance of the Vienna Philharmonic Orchestra playing Beethoven's 9th Symphony at an open-air performance for an audience of approximately 30,000 people.
ER  -