A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response

Kraght PH. A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response. J Audio Eng Soc. 1992;40(5):403-414. Available from: https://aes.org/publications/elibrary-page/?id=7048

@article{Kraght1992_7048,
  author = {Kraght, Paul H.},
  title = {{A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response}},
  journal = {Journal of the Audio Engineering Society},
  volume = {40},
  number = {5},
  pages = {403--414},
  year = {1992},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=7048}
}

TY  - JOUR
TI  - A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response
AU  - Kraght, Paul H.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 40
IS  - 5
SP  - 403
EP  - 414
PY  - 1992
DA  - 1992/05/06
UR  - https://aes.org/publications/elibrary-page/?id=7048
PB  - Audio Engineering Society
LA  - en
AB  - Designing a linear-phase digital equalizer involves a tradeoff between the smoothness of the frequency response and the independence of the equalizer bands. This is illustrated by using several shapes of bandpass amplitude functions. Cubic B-splines exhibit desirable characteristics as bandpass amplitude functions, namely, smooth frequency response and reduced and reduced impulse-response ringing. B-splines can be combined to improve the interband independence. An implementation of this type of equalizer is then discussed.
ER  -