Standard Stereo Recording Techniques in Non-Standard Situations

Swanson AG. Standard Stereo Recording Techniques in Non-Standard Situations. In: AES Convention 92. Audio Engineering Society; 1992. Paper 3313. Available from: https://aes.org/publications/elibrary-page/?id=6820

@inproceedings{Swanson1992_6820,
  author = {Swanson, Albert G.},
  title = {{Standard Stereo Recording Techniques in Non-Standard Situations}},
  booktitle = {AES Convention 92},
  note = {Paper 3313},
  year = {1992},
  month = mar,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=6820}
}

TY  - CPAPER
TI  - Standard Stereo Recording Techniques in Non-Standard Situations
AU  - Swanson, Albert G.
T2  - AES Convention 92
M1  - Paper 3313
PY  - 1992
DA  - 1992/03/06
UR  - https://aes.org/publications/elibrary-page/?id=6820
PB  - Audio Engineering Society
LA  - en
AB  - Most techniques of stereo recording have been developed for fixed stage applications. That is, they are designed to simulate a listener's relationship to an audio event, preserving as much spatial information-depth, left-right imaging, and room characteristics as is deemed desirable. Much debate is made of the technical elegance and aesthetic appropriateness of one technique or another. For many real life applications, however, these parameters are irrelevant. This study explores some such situations, and discusses how standard procedures may apply.
ER  -