Microphone Techniques for 3-Channel Stereo

Gerzon MA. Microphone Techniques for 3-Channel Stereo. In: AES Convention 93. Audio Engineering Society; 1992. Paper 3450. Available from: https://aes.org/publications/elibrary-page/?id=6684

@inproceedings{Gerzon1992_6684,
  author = {Gerzon, Michael A.},
  title = {{Microphone Techniques for 3-Channel Stereo}},
  booktitle = {AES Convention 93},
  note = {Paper 3450},
  year = {1992},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=6684}
}

TY  - CPAPER
TI  - Microphone Techniques for 3-Channel Stereo
AU  - Gerzon, Michael A.
T2  - AES Convention 93
M1  - Paper 3450
PY  - 1992
DA  - 1992/10/06
UR  - https://aes.org/publications/elibrary-page/?id=6684
PB  - Audio Engineering Society
LA  - en
AB  - The forthcoming advent of 3-channel stereo in HDTV and DAB sound means that recording engineers will have to relearn the art of stereo microphone techniques for three or more loudspeaker reproduction. Known and new microphone techniques are described, including those using matrix methods, including a three-loudspeaker technique using a Soundfield microphone, and techniques using spaced mono microphones and spaced pairs or triples of one-point stereo microphones. Mono and two-loudspeaker stereo compatibility will also be considered.
ER  -