Room-Related Balancing Technique: A Method for Optimizing Recording Quality

Wöhr M, Theile G, Goeres HJ, Persterer A. Room-Related Balancing Technique: A Method for Optimizing Recording Quality. J Audio Eng Soc. 1991;39(9):623-631. Available from: https://aes.org/publications/elibrary-page/?id=5968

@article{Wohr1991_5968,
  author = {Wöhr, Martin and Theile, Günther and Goeres, Hans-Jürgen and Persterer, Alexander},
  title = {{Room-Related Balancing Technique: A Method for Optimizing Recording Quality}},
  journal = {Journal of the Audio Engineering Society},
  volume = {39},
  number = {9},
  pages = {623--631},
  year = {1991},
  month = sep,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5968}
}

TY  - JOUR
TI  - Room-Related Balancing Technique: A Method for Optimizing Recording Quality
AU  - Wöhr, Martin
AU  - Theile, Günther
AU  - Goeres, Hans-Jürgen
AU  - Persterer, Alexander
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 39
IS  - 9
SP  - 623
EP  - 631
PY  - 1991
DA  - 1991/09/06
UR  - https://aes.org/publications/elibrary-page/?id=5968
PB  - Audio Engineering Society
LA  - en
AB  - In contrast to natural sounds, in the case of stereophonic reproduction the ears localize the loudspeakers as the source of the sound. The spatial depth of a recording can therefore not be reproduced adequately with conventional microphone balancing techniques. It is described how to simulate spatial depth artificially. Listening tests demonstrate that stereophonic reflections clearly improve the quality of a sound image, making it more natural. It was shown that the favorable imaging characteristics found for an appropriate main microphone can be transferred consistently to the spot-microphone signals with the aid of modern computer technology.
ER  -