Recording Techniques and Perception of Environment

McKinnie D. Recording Techniques and Perception of Environment. In: AES Convention 91. Audio Engineering Society; 1991. Paper 3110. Available from: https://aes.org/publications/elibrary-page/?id=5606

@inproceedings{McKinnie1991_5606,
  author = {McKinnie, Douglas},
  title = {{Recording Techniques and Perception of Environment}},
  booktitle = {AES Convention 91},
  note = {Paper 3110},
  year = {1991},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5606}
}

TY  - CPAPER
TI  - Recording Techniques and Perception of Environment
AU  - McKinnie, Douglas
T2  - AES Convention 91
M1  - Paper 3110
PY  - 1991
DA  - 1991/10/06
UR  - https://aes.org/publications/elibrary-page/?id=5606
PB  - Audio Engineering Society
LA  - en
AB  - In many forms of music (classical, traditional, some jazz, and some folk) one ideal of recording is the creation of a sense of being there in the original performance space. This illusion is primarily impacted by the listening environment and by microphone technique. This paper is an investigation into published literature to find research which has taken the entire system, from recording space to listening space, as its subject. It also explores the inter-relation between listening environment and microphone technique, and identifies some of the factors of acoustics and perception which make various common recording techniques successful.
ER  -