Linear-Phase Bandsplitting: Theory and Applications

Moorer JA, Berger M. Linear-Phase Bandsplitting: Theory and Applications. J Audio Eng Soc. 1986;34(3):143-152. Available from: https://aes.org/publications/elibrary-page/?id=5280

@article{Moorer1986_5280,
  author = {Moorer, James A. and Berger, Mark},
  title = {{Linear-Phase Bandsplitting: Theory and Applications}},
  journal = {Journal of the Audio Engineering Society},
  volume = {34},
  number = {3},
  pages = {143--152},
  year = {1986},
  month = mar,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5280}
}

TY  - JOUR
TI  - Linear-Phase Bandsplitting: Theory and Applications
AU  - Moorer, James A.
AU  - Berger, Mark
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 34
IS  - 3
SP  - 143
EP  - 152
PY  - 1986
DA  - 1986/03/06
UR  - https://aes.org/publications/elibrary-page/?id=5280
PB  - Audio Engineering Society
LA  - en
AB  - There are a number of applications for banks of band-pass filters in professional audio studios for both film and music production. Digital techniques for bandsplitting are explored which have the property that the spectrum may be separated into a number of bands such that when these bands are added back together, the result is a pure delay. There need be no amplitude or phase distortions other than delay. This allows such applications as linear-phase graphic equalizers, multiband noise gates, and many other improvements over conventional studio equipment. These algorithms have been implemented on a large-scale audio signal processor and run in real time. They are currently being used in major motion picture production.
ER  -