An Overview of Stereo Recording Techniques for Popular Music

Eargle JM. An Overview of Stereo Recording Techniques for Popular Music. J Audio Eng Soc. 1986;34(6). Available from: https://aes.org/publications/elibrary-page/?id=5261

@article{Eargle1986_5261,
  author = {Eargle, John M.},
  title = {{An Overview of Stereo Recording Techniques for Popular Music}},
  journal = {Journal of the Audio Engineering Society},
  volume = {34},
  number = {6},
  year = {1986},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5261}
}

TY  - JOUR
TI  - An Overview of Stereo Recording Techniques for Popular Music
AU  - Eargle, John M.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 34
IS  - 6
PY  - 1986
DA  - 1986/06/06
UR  - https://aes.org/publications/elibrary-page/?id=5261
PB  - Audio Engineering Society
LA  - en
AB  - Over the years, technical descriptions of stereo recording have centered on the essentials of sound-field pickup, with emphasis on maintaining left-right and fore-aft relationships on the reproduced sound stage. The principal emphasis has been on coincident and quasi-coincident microphone techniques, with special reference to the early work of Blumlein. Fundamentally, these descriptions have dealt with the recording of acoustically balanced ensembles performing in traditional venues, and this pretty much defines the goals of classical recording.
ER  -