Why Stereo? The Philosophy of Multichannel Recording of Music

McKnight JG. Why Stereo? The Philosophy of Multichannel Recording of Music. J Audio Eng Soc. 1960;8(2):87-90. Available from: https://aes.org/publications/elibrary-page/?id=526

@article{McKnight1960_526,
  author = {McKnight, John G.},
  title = {{Why Stereo? The Philosophy of Multichannel Recording of Music}},
  journal = {Journal of the Audio Engineering Society},
  volume = {8},
  number = {2},
  pages = {87--90},
  year = {1960},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=526}
}

TY  - JOUR
TI  - Why Stereo? The Philosophy of Multichannel Recording of Music
AU  - McKnight, John G.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 8
IS  - 2
SP  - 87
EP  - 90
PY  - 1960
DA  - 1960/04/06
UR  - https://aes.org/publications/elibrary-page/?id=526
PB  - Audio Engineering Society
LA  - en
AB  - Two effects which contribute greatly to our enjoyment of live music are the ability to locate the source of the sound (stereophony) and the feeling of being in a good concert hall (ambiophony). These effects and their relationship to music are discussed. Microphone placement in multichannel recording is seeen to depend on which effect is to be recreated in the home, and to what degree.
ER  -