Two Into One Sounds Like a Compromise

Daubney C. Two Into One Sounds Like a Compromise. In: AES Conference: UK 1st Conference: Sound with Pictures (SWP). Audio Engineering Society; 1988. Paper SWP-A4. Available from: https://aes.org/publications/elibrary-page/?id=4610

@inproceedings{Daubney1988_4610,
  author = {Daubney, Chris},
  title = {{Two Into One Sounds Like a Compromise}},
  booktitle = {AES Conference: UK 1st Conference: Sound with Pictures (SWP)},
  note = {Paper SWP-A4},
  year = {1988},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=4610}
}

TY  - CPAPER
TI  - Two Into One Sounds Like a Compromise
AU  - Daubney, Chris
T2  - AES Conference: UK 1st Conference: Sound with Pictures (SWP)
M1  - Paper SWP-A4
PY  - 1988
DA  - 1988/05/06
UR  - https://aes.org/publications/elibrary-page/?id=4610
PB  - Audio Engineering Society
LA  - en
AB  - With almost all the forms of visual and aural media, there is a need for the programme maker to consider how their programme will look and/or sound, not just in the place where it was made but after it has been distributed to a large number of different outlets. The -mechanics- of the different distribution systems often involve compromises because it is a frequent and very necessary requirement that any improvements which are introduced are added in a way which does not make the earlier techniques redundant. This paper discusses some of the possibilities for deriving the necessary monophonic signal from a stereophonic source under the possibly differing conditions of television and radio.
ER  -