A History of High-Quality Studio Microphones

Olson HF. A History of High-Quality Studio Microphones. J Audio Eng Soc. 1976;24(10):798-807. Available from: https://aes.org/publications/elibrary-page/?id=2584

@article{Olson1976_2584,
  author = {Olson, Harry F.},
  title = {{A History of High-Quality Studio Microphones}},
  journal = {Journal of the Audio Engineering Society},
  volume = {24},
  number = {10},
  pages = {798--807},
  year = {1976},
  month = dec,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2584}
}

TY  - JOUR
TI  - A History of High-Quality Studio Microphones
AU  - Olson, Harry F.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 24
IS  - 10
SP  - 798
EP  - 807
PY  - 1976
DA  - 1976/12/06
UR  - https://aes.org/publications/elibrary-page/?id=2584
PB  - Audio Engineering Society
LA  - en
AB  - The advent of radio broadcasting, electrical recording of disc records, and sound motion pictures, all in the 1920s, stimulated the development and commercialization of high-quality studio microphones as follows the omnidirectional condenser and dynamic microphones of the 1920s, and the bidirectional velocity and unidirectional microphones of the early 1930s. Microphones are still classified in these three basic types of directivity. Important and significant state-of-the-art improvements have been made through the years to the present time.
ER  -