The Use of the FRAP (Flat Response Audio Pickup) in Professional Recording

Lazarus A. The Use of the FRAP (Flat Response Audio Pickup) in Professional Recording. In: AES Convention 48. Audio Engineering Society; 1974. Paper 952. Available from: https://aes.org/publications/elibrary-page/?id=2539

@inproceedings{Lazarus1974_2539,
  author = {Lazarus, Arnie},
  title = {{The Use of the FRAP (Flat Response Audio Pickup) in Professional Recording}},
  booktitle = {AES Convention 48},
  note = {Paper 952},
  year = {1974},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2539}
}

TY  - CPAPER
TI  - The Use of the FRAP (Flat Response Audio Pickup) in Professional Recording
AU  - Lazarus, Arnie
T2  - AES Convention 48
M1  - Paper 952
PY  - 1974
DA  - 1974/05/06
UR  - https://aes.org/publications/elibrary-page/?id=2539
PB  - Audio Engineering Society
LA  - en
AB  - The FRAP system of picking up acoustical musical instruments with an extremely high degree of isolation meets professional recording studio standards. One transducer can be used for many different kinds of instruments and switched from instrument to instrument or position to position with easily removable FRAP wax. How this is done, as well as recording examples of different instruments, will be discussed.
ER  -