Experiments in the Enhancement of the Artist's Ability to Control His Interface with the Acoustic Environment in Large Halls

Davis D, Wickersham R. Experiments in the Enhancement of the Artist's Ability to Control His Interface with the Acoustic Environment in Large Halls. In: AES Convention 51. Audio Engineering Society; 1975. Paper 1033. Available from: https://aes.org/publications/elibrary-page/?id=2399

@inproceedings{Davis1975_2399,
  author = {Davis, Don and Wickersham, Ron},
  title = {{Experiments in the Enhancement of the Artist's Ability to Control His Interface with the Acoustic Environment in Large Halls}},
  booktitle = {AES Convention 51},
  note = {Paper 1033},
  year = {1975},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2399}
}

TY  - CPAPER
TI  - Experiments in the Enhancement of the Artist's Ability to Control His Interface with the Acoustic Environment in Large Halls
AU  - Davis, Don
AU  - Wickersham, Ron
T2  - AES Convention 51
M1  - Paper 1033
PY  - 1975
DA  - 1975/05/06
UR  - https://aes.org/publications/elibrary-page/?id=2399
PB  - Audio Engineering Society
LA  - en
AB  - The successful contemporary rock artist needs to hear and feel accurately what is going out to his audience. Neither amplification nor reinforcement suitably answer the artist's needs. Experiments with a mammoth system have revealed a number of significant parameters that need to be artistically considered as we approach the use of synthesizer-computer instruments "conducted" by artist-composers.
ER  -