K. Ambrose, “Technology and Choral Music: A mediated approach,” in Proc. Express Paper, Jun. 2024, pp. 249:1-. [Online]. Available: https://aes.org/publications/elibrary-page/?id=22595
Ambrose K. Technology and Choral Music: A mediated approach. In: Express Paper. Audio Engineering Society; 2024.pp. 249:1-. Available from: https://aes.org/publications/elibrary-page/?id=22595
@inproceedings{Ambrose2024_22595,
author = {Ambrose, Katie},
title = {{Technology and Choral Music: A mediated approach}},
pages = {249:1-},
year = {2024},
month = jun,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=22595}
}
TY - CPAPER
TI - Technology and Choral Music: A mediated approach
AU - Ambrose, Katie
SP - 1
M1 - Paper 249
PY - 2024
DA - 2024/06/06
UR - https://aes.org/publications/elibrary-page/?id=22595
PB - Audio Engineering Society
LA - en
AB - Engaging the Female Ear praxis [1], this paper investigates how the presence of audiovisual technologies in a gendered space interacts with the way in which music producers and sound recordists feel about the co-creation of art, defined here as musicking [2]. It scrutinizes the extent to which the preconception of the male lens manifests itself regardless of the gender of the person doing the postproduction. This analysis enables us to deconstruct the impact of the production ideals having been developed over time for men, on men, by men.
ER -