The Sound of Early Music: The Musical Production of Historically Informed Performance

Juan de Dios Cuartas MA, González Alonso A, Espiga Méndez P, Díaz Marcos A. The Sound of Early Music: The Musical Production of Historically Informed Performance. In: Convention Paper. Audio Engineering Society; 2024.pp. 10718:1-. Available from: https://aes.org/publications/elibrary-page/?id=22531

@inproceedings{JuandeDiosCuartas2024_22531,
  author = {Juan de Dios Cuartas, Marco Antonio and González Alonso, Africa and Espiga Méndez, Pablo and Díaz Marcos, Alberto},
  title = {{The Sound of Early Music: The Musical Production of Historically Informed Performance}},
  pages = {10718:1-},
  year = {2024},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=22531}
}

TY  - CPAPER
TI  - The Sound of Early Music: The Musical Production of Historically Informed Performance
AU  - Juan de Dios Cuartas, Marco Antonio
AU  - González Alonso, Africa
AU  - Espiga Méndez, Pablo
AU  - Díaz Marcos, Alberto
SP  - 1
M1  - Paper 10718
PY  - 2024
DA  - 2024/06/06
UR  - https://aes.org/publications/elibrary-page/?id=22531
PB  - Audio Engineering Society
LA  - en
AB  - Early music recordings have their own aesthetic standards, influenced by the timbral qualities of historical instruments. Many of these instruments are reconstructions of originals, tailored to the preferences of performers specialized in this genre. Traditional manuals on classical music recording techniques have seldom addressed the specific recording methods for these instruments, and there appears to be no consensus on the production criteria for such projects. This research is part of the DEePMusic project: Digitizing the Ecosystem of Musical Heritage, led by the Instituto Complutense de Ciencias Musicales (ICCMU), with participation from the Sound Laboratory of Complutense University of Madrid - SonoLAB. Based on the analysis of three representative samples of the work, the research aims to propose the appropriate production strategy for L'Incoronazzione di Poppea (Monteverdi, 1643), identifying the characteristic features of what is known as Historically Informed Performance (HIP).
ER  -