Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production

Takala H, Mäkivirta A, Rajanti P. Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production. In: AES Conference: AES 2023 International Conference on Spatial and Immersive Audio. Audio Engineering Society; 2023.pp. 28:1-6. Available from: https://aes.org/publications/elibrary-page/?id=22190

@inproceedings{Takala2023_22190,
  author = {Takala, Henri and Mäkivirta, Aki and Rajanti, Petteri},
  title = {{Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production}},
  booktitle = {AES Conference: AES 2023 International Conference on Spatial and Immersive Audio},
  pages = {28:1-6},
  year = {2023},
  month = aug,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=22190}
}

TY  - CPAPER
TI  - Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production
AU  - Takala, Henri
AU  - Mäkivirta, Aki
AU  - Rajanti, Petteri
T2  - AES Conference: AES 2023 International Conference on Spatial and Immersive Audio
SP  - 1
EP  - 6
M1  - Paper 28
PY  - 2023
DA  - 2023/08/06
UR  - https://aes.org/publications/elibrary-page/?id=22190
PB  - Audio Engineering Society
LA  - en
AB  - The present work uses personal HRTF data with binaural rendering to headphones of an immersive audio reproduction system for creating the complete sound design during the entire creative workflow. In this work, a full immersive sound design in 7.1.2 loudspeaker monitoring format is created for the cinema soundtrack of a short film ‘Saarna’. The paper discusses the benefits and problems encountered when binaural headphone monitoring is used for creating the complete soundtrack instead of the typical loudspeaker based monitoring.
ER  -