P. N. Porysek Moreta, S. F. J. Bech, J. Østergaard, S. van de Par, and N. Kaplanis, “Sensory evaluation of spatially dynamic audiovisual soundscenes: a review,” in Proc. AES Convention 152, May 2022, Paper 10594. [Online]. Available: https://aes.org/publications/elibrary-page/?id=21707
Porysek Moreta PN, Bech SFJ, Østergaard J, van de Par S, Kaplanis N. Sensory evaluation of spatially dynamic audiovisual soundscenes: a review. In: AES Convention 152. Audio Engineering Society; 2022. Paper 10594. Available from: https://aes.org/publications/elibrary-page/?id=21707
@inproceedings{PorysekMoreta2022_21707,
author = {Porysek Moreta, Pia Nancy and Bech, Søren, Francombe, Jon and Østergaard, Jon and van de Par, Steven and Kaplanis, Neofytos},
title = {{Sensory evaluation of spatially dynamic audiovisual soundscenes: a review}},
booktitle = {AES Convention 152},
note = {Paper 10594},
year = {2022},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=21707}
}
TY - CPAPER
TI - Sensory evaluation of spatially dynamic audiovisual soundscenes: a review
AU - Porysek Moreta, Pia Nancy
AU - Bech, Søren, Francombe, Jon
AU - Østergaard, Jon
AU - van de Par, Steven
AU - Kaplanis, Neofytos
T2 - AES Convention 152
M1 - Paper 10594
PY - 2022
DA - 2022/05/06
UR - https://aes.org/publications/elibrary-page/?id=21707
PB - Audio Engineering Society
LA - en
AB - Spatial audio systems are capable of rendering moving sound sources. This is becoming more common in commercial and domestic environments, driven by interest in spatial audio and virtual reality, and underpinned by object-based audio delivery formats. When consulting standard methods for sound quality evaluation in terms of spatially dynamic sound scenes (SDSS), challenges emerge indicating the methods are inadequate for the application. This article presents an overview of state-of-the-art sound quality evaluation methods, particularly focusing on their appropriateness for evaluation of SDSS. Limitations of current methodologies are discussed, and research of temporal evaluation methodologies used in other sensory sciences are reviewed for their potential applicability to audio quality assessment.
ER -