Implications of crossmodal effects and spatial cognition on producing in spatial audio

Görne T, Kuldkepp K, Troschka S. Implications of crossmodal effects and spatial cognition on producing in spatial audio. In: AES Convention 150. Audio Engineering Society; 2021. Paper 10506. Available from: https://aes.org/publications/elibrary-page/?id=21383

@inproceedings{Gorne2021_21383,
  author = {Görne, Thomas and Kuldkepp, Kristin and Troschka, Stefan},
  title = {{Implications of crossmodal effects and spatial cognition on producing in spatial audio}},
  booktitle = {AES Convention 150},
  note = {Paper 10506},
  year = {2021},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=21383}
}

TY  - CPAPER
TI  - Implications of crossmodal effects and spatial cognition on producing in spatial audio
AU  - Görne, Thomas
AU  - Kuldkepp, Kristin
AU  - Troschka, Stefan
T2  - AES Convention 150
M1  - Paper 10506
PY  - 2021
DA  - 2021/05/06
UR  - https://aes.org/publications/elibrary-page/?id=21383
PB  - Audio Engineering Society
LA  - en
AB  - It is quite common to use spatial language in the description of the sensation of sound: A sound can be big or small, it can be edgy, flat or round, a tone can be high or low, a melody rising or falling – all these linguistic metaphors are apparently emerging from the crossmodal correspondences of perception. An auditory object can have a metaphorical size, shape and position in space besides its (perceived) physical size, shape and position in space. The present paper reviews research on crossmodal effects and related findings from different disciplines that might shine a light on the production and aesthetics of spatial audio. In addition, some preliminary results of experiments with complex spatial sonic structures are presented.
ER  -