Emily’s World: behind the scenes of a binaural synthesis production

Poirier-Quinot D, Hardoin L, Katz B. Emily’s World: behind the scenes of a binaural synthesis production. In: AES Convention 148. Audio Engineering Society; 2020. Paper 611. Available from: https://aes.org/publications/elibrary-page/?id=20849

@inproceedings{PoirierQuinot2020_20849,
  author = {Poirier-Quinot, David and Hardoin, Lucie and Katz, Brian},
  title = {{Emily’s World: behind the scenes of a binaural synthesis production}},
  booktitle = {AES Convention 148},
  note = {Paper 611},
  year = {2020},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=20849}
}

TY  - CPAPER
TI  - Emily’s World: behind the scenes of a binaural synthesis production
AU  - Poirier-Quinot, David
AU  - Hardoin, Lucie
AU  - Katz, Brian
T2  - AES Convention 148
M1  - Paper 611
PY  - 2020
DA  - 2020/05/06
UR  - https://aes.org/publications/elibrary-page/?id=20849
PB  - Audio Engineering Society
LA  - en
AB  - Three main workflows exist to create binaural content: binaural recording, binaural decoding of Ambisonic recordings, and binaural synthesis. Binaural synthesis, as an object-oriented approach, offers the highest flexibility throughout the creation process (composition, mixing, etc.). Conversely, it typically requires separate takes for each audio source and animations to construct the final spatial mix. “Binaural Steps - Emily’s World” is an 8 min short radio-fiction commissioned to highlight the possibilities of binaural synthesis using studio and Foley recordings. Synthesis was achieved using the Anaglyph binaural audio engine, designed to facilitate the transition of spatial hearing research from laboratory to industry.
ER  -