E. K. Canfield-Dafilou, E. F. Callery, J. S. Abel, and J. Berger, “A Method for Studying Interactions between Music Performance and Rooms with Real-Time Virtual Acoustics,” in Proc. AES Convention 146, Mar. 2019, Paper 10189. [Online]. Available: https://aes.org/publications/elibrary-page/?id=20322
Canfield-Dafilou EK, Callery EF, Abel JS, Berger J. A Method for Studying Interactions between Music Performance and Rooms with Real-Time Virtual Acoustics. In: AES Convention 146. Audio Engineering Society; 2019. Paper 10189. Available from: https://aes.org/publications/elibrary-page/?id=20322
@inproceedings{CanfieldDafilou2019_20322,
author = {Canfield-Dafilou, Elliot K. and Callery, Eoin F. and Abel, Jonathan S. and Berger, Jonathan},
title = {{A Method for Studying Interactions between Music Performance and Rooms with Real-Time Virtual Acoustics}},
booktitle = {AES Convention 146},
note = {Paper 10189},
year = {2019},
month = mar,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=20322}
}
TY - CPAPER
TI - A Method for Studying Interactions between Music Performance and Rooms with Real-Time Virtual Acoustics
AU - Canfield-Dafilou, Elliot K.
AU - Callery, Eoin F.
AU - Abel, Jonathan S.
AU - Berger, Jonathan
T2 - AES Convention 146
M1 - Paper 10189
PY - 2019
DA - 2019/03/06
UR - https://aes.org/publications/elibrary-page/?id=20322
PB - Audio Engineering Society
LA - en
AB - An experimental methodology for studying the interplay between music composition and performance and room acoustics is proposed, and a system for conducting such experiments is described. Separate auralization and recording subsystems present live, variable virtual acoustics in a studio recording setting, while capturing individual dry tracks from each ensemble member for later analysis. As an example application, acoustics measurements of the Chiesa di Sant’Aniceto in Rome were used to study how reverberation time modifications effect the performance of a piece for four voices and organ likely composed for the space. Performance details, including note onset times and pitch tracks, are clearly evident in the recordings. Two example performance features are presented illustrating the reverberation time impact on this musical material.
ER -