J. Eargle, “Equalizing the Monitoring Environment,” J. Audio Eng. Soc., vol. 21, no. 2, pp. 103–107, Mar. 1973.
Eargle J. Equalizing the Monitoring Environment. J Audio Eng Soc. 1973;21(2):103-107. Available from: https://aes.org/publications/elibrary-page/?id=2004
@article{Eargle1973_2004,
author = {Eargle, John},
title = {{Equalizing the Monitoring Environment}},
journal = {Journal of the Audio Engineering Society},
volume = {21},
number = {2},
pages = {103--107},
year = {1973},
month = mar,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=2004}
}
TY - JOUR
TI - Equalizing the Monitoring Environment
AU - Eargle, John
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 21
IS - 2
SP - 103
EP - 107
PY - 1973
DA - 1973/03/06
UR - https://aes.org/publications/elibrary-page/?id=2004
PB - Audio Engineering Society
LA - en
AB - Today's -new music- is an art form which has its first existence over loudspeakers. In both the recording control and remix rooms higher degrees of electroacoustical accuracy are now demanded, and this has led to the general use of equalization as a means of minimizing the error between electrical and acoustical domains. Complex transfer functions of practical filter systems are examined and current engineering practice is described in detail.
ER -