R. J. Hughes, A. Franck, T. J. Cox, B. G. Shirley, and F. M. Fazi, “Dual Frequency Band Amplitude Panning for Multichannel Audio Systems,” in Proc. AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science, Jul. 2018, Paper P11-4. [Online]. Available: https://aes.org/publications/elibrary-page/?id=19638
Hughes RJ, Franck A, Cox TJ, Shirley BG, Fazi FM. Dual Frequency Band Amplitude Panning for Multichannel Audio Systems. In: AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science. Audio Engineering Society; 2018. Paper P11-4. Available from: https://aes.org/publications/elibrary-page/?id=19638
@inproceedings{Hughes2018_19638,
author = {Hughes, Richard J. and Franck, Andreas and Cox, Trevor J. and Shirley, Ben G. and Fazi, Filippo Maria},
title = {{Dual Frequency Band Amplitude Panning for Multichannel Audio Systems}},
booktitle = {AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science},
note = {Paper P11-4},
year = {2018},
month = jul,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=19638}
}
TY - CPAPER
TI - Dual Frequency Band Amplitude Panning for Multichannel Audio Systems
AU - Hughes, Richard J.
AU - Franck, Andreas
AU - Cox, Trevor J.
AU - Shirley, Ben G.
AU - Fazi, Filippo Maria
T2 - AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science
M1 - Paper P11-4
PY - 2018
DA - 2018/07/06
UR - https://aes.org/publications/elibrary-page/?id=19638
PB - Audio Engineering Society
LA - en
AB - Panning laws for multi-loudspeaker setups, for example vector base amplitude panning, are typically derived based on either low or high frequency assumptions. It is well known, however, that auditory cues for both localization and loudness differ at these frequencies. This paper investigates the use of dual-band panning, whereby low and high frequency gains and normalization are applied separately. Single- and dual-band rendering algorithms are described, with predicted theoretical localization, spectral balance, and source extent cues given. A multiple stimulus test is described, performed for a number of trajectories rendered to a periphonic nine-loudspeaker ITU-R BS.2051-1 setup, with rated attributes based on predicted sources of error. Results are reported, detailing differences between both theoretical predictions and systems under test.
ER -