Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques

Upthegrove T, Nichols C, Roan M. Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques. In: AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science. Audio Engineering Society; 2018.pp. P7-2:1-6. Available from: https://aes.org/publications/elibrary-page/?id=19623

@inproceedings{Upthegrove2018_19623,
  author = {Upthegrove, Tanner and Nichols, Charles and Roan, Michael},
  title = {{Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques}},
  booktitle = {AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science},
  pages = {P7-2:1-6},
  year = {2018},
  month = jul,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=19623}
}

TY  - CPAPER
TI  - Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques
AU  - Upthegrove, Tanner
AU  - Nichols, Charles
AU  - Roan, Michael
T2  - AES Conference: 2018 AES International Conference on Spatial Reproduction - Aesthetics and Science
SP  - 1
EP  - 6
M1  - Paper P7-2
PY  - 2018
DA  - 2018/07/06
UR  - https://aes.org/publications/elibrary-page/?id=19623
PB  - Audio Engineering Society
LA  - en
AB  - As more artists find utility in spatial audio for producing live and recorded music, new tools are needed to meet the aesthetic goals of each artist. This paper proposes a method for controlling and mixing point-source spatial audio with the familiar interface of Cockos Reaper, a digital audio workstation (DAW), which controls a Cycling ’74 Max Patch rendering Vector Base Amplitude Panning (VBAP), High Order Ambisonics (HOA), and 3-D convolution reverberation mixing busses. The Max patch allows mixes in Reaper to translate to any arbitrary loudspeaker array by modification of the quantity and location of loudspeakers.
ER  -