A Basic Study of the Upmix Method for 22.2 Multichannel Sound

Kamekawa T, Marui A. A Basic Study of the Upmix Method for 22.2 Multichannel Sound. In: AES Convention 142. Audio Engineering Society; 2017. Paper 350. Available from: https://aes.org/publications/elibrary-page/?id=18725

@inproceedings{Kamekawa2017_18725,
  author = {Kamekawa, Toru and Marui, Atsushi},
  title = {{A Basic Study of the Upmix Method for 22.2 Multichannel Sound}},
  booktitle = {AES Convention 142},
  note = {Paper 350},
  year = {2017},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=18725}
}

TY  - CPAPER
TI  - A Basic Study of the Upmix Method for 22.2 Multichannel Sound
AU  - Kamekawa, Toru
AU  - Marui, Atsushi
T2  - AES Convention 142
M1  - Paper 350
PY  - 2017
DA  - 2017/05/06
UR  - https://aes.org/publications/elibrary-page/?id=18725
PB  - Audio Engineering Society
LA  - en
AB  - The upmix technique to 22.2 multichannel sound from 9 channel, 5 channel, and 3 channel IRs (impulse responses) were studied. The two upmix techniques were used. One is the IRs made from the original IRs converted to phase randomized signals with the same time envelope to original signal and the other is the IRs obtained by simply adding signals of adjacent channels. The experimental stimuli were obtained from these impulse responses convolved to the sound of a xylophone and a female voice recorded in an anechoic room. From the results, there is a tendency of different impression between these two methods, and it is suggested that the phase randomized method may be effective with the case using from less channels.
ER  -