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Conference Paper

Spatial Music, Virtual Reality, and 360 Media

Authors: Bates, Enda; Boland, Francis

AES Conference: 2016 AES International Conference on Audio for Virtual and Augmented Reality · Paper 7-1 · September 2016

Abstract

The following paper documents the composition, recording, and post-production of a number of works of instrumental spatial music for a 360 video and audio presentation. The filming and recording of an orchestral work of spatial music is described with particular reference to the various ambisonic microphones used in the recordings, post production techniques, and the delivery of 360 video with matching 360 audio. The recording and production of a second performance of a newly composed spatial work for an acoustic quartet is also presented and the relationship between spatial music and 360 content is discussed. Finally, an exploration of the creative possibilities of VR in terms of soundscape and acousmatic composition is presented.

Details

Published in
AES Conference: 2016 AES International Conference on Audio for Virtual and Augmented Reality
Paper number
7-1
Publication date
September 6, 2016
Session subject
Music for VR/AR Projects
Affiliation
Trinity College Dublin, Dublin, Ireland (See document for exact affiliation information.)
Type
Conference Paper