B. Stuart, “Sound Board: High-Resolution Audio,” J. Audio Eng. Soc., vol. 63, no. 10, pp. 831–832, Oct. 2015.
Stuart B. Sound Board: High-Resolution Audio. J Audio Eng Soc. 2015;63(10):831-832. Available from: https://aes.org/publications/elibrary-page/?id=18046
@article{Stuart2015_18046,
author = {Stuart, Bob},
title = {{Sound Board: High-Resolution Audio}},
journal = {Journal of the Audio Engineering Society},
volume = {63},
number = {10},
pages = {831--832},
year = {2015},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=18046}
}
TY - JOUR
TI - Sound Board: High-Resolution Audio
AU - Stuart, Bob
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 63
IS - 10
SP - 831
EP - 832
PY - 2015
DA - 2015/10/06
UR - https://aes.org/publications/elibrary-page/?id=18046
PB - Audio Engineering Society
LA - en
AB - [Feature] In audio, high-resolution sound should be natural, resembling real life and many of the terms we use to qualify it, such as clarity, focus, transparency, and definition are borrowed from vision. If sound is natural, objects should have clear locations (position and distance) and separate readily into perceptual streams, particularly where environmental reverberation causes multiple arrivals closely separated in time—temporal resolution of microstructure in sound being analogous to spatial resolution in vision.
ER -