Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre

Napieralska J. Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre. In: AES Convention 138. Audio Engineering Society; 2015.pp. 9339:1-. Available from: https://aes.org/publications/elibrary-page/?id=17763

@inproceedings{Napieralska2015_17763,
  author = {Napieralska, Joanna},
  title = {{Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre}},
  booktitle = {AES Convention 138},
  pages = {9339:1-},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17763}
}

TY  - CPAPER
TI  - Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre
AU  - Napieralska, Joanna
T2  - AES Convention 138
SP  - 1
M1  - Paper 9339
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17763
PB  - Audio Engineering Society
LA  - en
AB  - This paper presents an individual approach to restoration of Polish film sound based on the author’s own works. It answers the following question: under what conditions, and by the use of which techniques, may the restoration of archive film sound provide the viewer with a cleaner reproduction of the original sound while maintaining the standard expected by a modern cinema-going audience. At its basic level, the sound restoration routine comprises the following: transfer from the magnetic tape, syncing, cleaning of low/high frequency noises, repair of material impairments and reprinting effect, and mastering for broadcasting, cinema, DVD/Blu-ray, and internet formats. The reconstruction discussed modifies the sound quality and sometimes the contents. However, it can be performed only under certain legal restrictions.
ER  -