Tom–Tom Drumheads Miking Analysis

Quiroga AF, Garcia JD, Páez D. Tom–Tom Drumheads Miking Analysis. In: AES Convention 138. Audio Engineering Society; 2015.pp. 9338:1-. Available from: https://aes.org/publications/elibrary-page/?id=17762

@inproceedings{Quiroga2015_17762,
  author = {Quiroga, Andrés Felipe and Garcia, Juan David and Páez, Dario},
  title = {{Tom–Tom Drumheads Miking Analysis}},
  booktitle = {AES Convention 138},
  pages = {9338:1-},
  year = {2015},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17762}
}

TY  - CPAPER
TI  - Tom–Tom Drumheads Miking Analysis
AU  - Quiroga, Andrés Felipe
AU  - Garcia, Juan David
AU  - Páez, Dario
T2  - AES Convention 138
SP  - 1
M1  - Paper 9338
PY  - 2015
DA  - 2015/05/06
UR  - https://aes.org/publications/elibrary-page/?id=17762
PB  - Audio Engineering Society
LA  - en
AB  - Different drum recording techniques have been developed through time, from stereo to close miking techniques. This is relevant, since the techniques and the characteristics of the instrument will define its sound within the final mix. A study was designed that gives experienced and non-experienced recording engineers tools and specific characteristics of tom–tom close miking techniques with different drumheads, microphones, and capture positions. Results indicate the behaviors of the different drumheads and capture positions with the different microphones. The first frequency band of resonance (attack) shows the highest decay level compared to the second band of resonance (tone), and the edge position presented the lower decay level on the second band of resonance, showing its resonant behavior on the envelope.
ER  -