OBRAMUS: A System for Object-Based Retouch of Amateur Music

Janer J, Gorlow S, Arimoto K. OBRAMUS: A System for Object-Based Retouch of Amateur Music. In: AES Convention 137. Audio Engineering Society; 2014. Paper 9210. Available from: https://aes.org/publications/elibrary-page/?id=17533

@inproceedings{Janer2014_17533,
  author = {Janer, Jordi and Gorlow, Stanislaw and Arimoto, Keita},
  title = {{OBRAMUS: A System for Object-Based Retouch of Amateur Music}},
  booktitle = {AES Convention 137},
  note = {Paper 9210},
  year = {2014},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17533}
}

TY  - CPAPER
TI  - OBRAMUS: A System for Object-Based Retouch of Amateur Music
AU  - Janer, Jordi
AU  - Gorlow, Stanislaw
AU  - Arimoto, Keita
T2  - AES Convention 137
M1  - Paper 9210
PY  - 2014
DA  - 2014/10/06
UR  - https://aes.org/publications/elibrary-page/?id=17533
PB  - Audio Engineering Society
LA  - en
AB  - In the more recent past, the area of semantic audio has become an object of special attention due to the increase in attractiveness of signal representations that allow manipulations of audio on a symbolic level. The semantics usually refer to audio objects, such as instruments, or musical entities, such as chords or notes. In this paper we present a system for making minor corrections to amateur piano recordings based on a nonnegative matrix factorization. Acting as middleman between the signal and the user, the system enables a simple form of musical recomposition by altering pitch, timbre, onset, and offset of distinct notes. The workflow is iterative, that is the result improves stepwise through user intervention.
ER  -