Movement Perception of Risset Tones with and without Artificial Spatialization

Villegas J. Movement Perception of Risset Tones with and without Artificial Spatialization. In: AES Convention 137. Audio Engineering Society; 2014. Paper 9173. Available from: https://aes.org/publications/elibrary-page/?id=17496

@inproceedings{Villegas2014_17496,
  author = {Villegas, Julian},
  title = {{Movement Perception of Risset Tones with and without Artificial Spatialization}},
  booktitle = {AES Convention 137},
  note = {Paper 9173},
  year = {2014},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17496}
}

TY  - CPAPER
TI  - Movement Perception of Risset Tones with and without Artificial Spatialization
AU  - Villegas, Julian
T2  - AES Convention 137
M1  - Paper 9173
PY  - 2014
DA  - 2014/10/06
UR  - https://aes.org/publications/elibrary-page/?id=17496
PB  - Audio Engineering Society
LA  - en
AB  - The apparent radial movement (approaching or receding) of Risset tones was studied for sources in front, above, and to the right of listeners. Besides regular Risset tones, two kinds of spatialization were included: global (regarding the tone as a whole) and individual (spatializing each of its spectral components). The results suggest that regardless of the direction of the glissando, subjects tend to judge them as approaching. The effect of spatialization type was complex: For upward Risset tones, judgments were, in general, aligned with the direction of the spatialization, but this was not observed in the downward Risset tones. Furthermore, individual spatialization yielded judgments comparable to those of non-spatialized stimuli, whereas spatializing the stimuli as a whole yielded judgments more aligned with the treatment.
ER  -