The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing

Brixen EB, Sadolin C, Kjelin H. The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing. In: AES Convention 137. Audio Engineering Society; 2014. Paper 9139. Available from: https://aes.org/publications/elibrary-page/?id=17462

@inproceedings{Brixen2014_17462,
  author = {Brixen, Eddy B. and Sadolin, Cathrine and Kjelin, Henrik},
  title = {{The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing}},
  booktitle = {AES Convention 137},
  note = {Paper 9139},
  year = {2014},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17462}
}

TY  - CPAPER
TI  - The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing
AU  - Brixen, Eddy B.
AU  - Sadolin, Cathrine
AU  - Kjelin, Henrik
T2  - AES Convention 137
M1  - Paper 9139
PY  - 2014
DA  - 2014/10/06
UR  - https://aes.org/publications/elibrary-page/?id=17462
PB  - Audio Engineering Society
LA  - en
AB  - The Complete Vocal Technique defines four vocal modes: Neutral, Curbing, Overdrive, and Edge. This paper reports the result of a listening test involving 59 subjects. The goal has been to find the importance of onset and decay features when identifying the vocal modes. The conclusion is that the onset only to a minor degree is responsible for the aural detection of vocal modes.
ER  -