D. Leckschat and C. Epe, “An Approach to the Generation of Subharmonic Frequencies in Audio Applications,” in Proc. AES Convention 136, Apr. 2014, Paper 9040. [Online]. Available: https://aes.org/publications/elibrary-page/?id=17187
Leckschat D, Epe C. An Approach to the Generation of Subharmonic Frequencies in Audio Applications. In: AES Convention 136. Audio Engineering Society; 2014. Paper 9040. Available from: https://aes.org/publications/elibrary-page/?id=17187
@inproceedings{Leckschat2014_17187,
author = {Leckschat, Dieter and Epe, Christian},
title = {{An Approach to the Generation of Subharmonic Frequencies in Audio Applications}},
booktitle = {AES Convention 136},
note = {Paper 9040},
year = {2014},
month = apr,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=17187}
}
TY - CPAPER
TI - An Approach to the Generation of Subharmonic Frequencies in Audio Applications
AU - Leckschat, Dieter
AU - Epe, Christian
T2 - AES Convention 136
M1 - Paper 9040
PY - 2014
DA - 2014/04/06
UR - https://aes.org/publications/elibrary-page/?id=17187
PB - Audio Engineering Society
LA - en
AB - In recording studios it is common to use equipment and algorithms to enhance audio productions in the low frequency range. Today’s methods use either a frequency-selective dynamic compression or focus on psychoacoustics to take advantage of the residuum effect. The basic subject of this paper is a method to generate sub-harmonics of an audio signal. The most interesting sub-harmonic is one octave below a signal´s fundamental frequency. By implementing a mathematical formula it is possible to produce an oscillation at half the frequency of a given harmonic oscillation. The method works in the analog or digital domain and instantaneous, which makes it suited for real-time applications of musicians. Depending on the design the process can be optimized for stationary signals or for signals with transient components.
ER -