An Approach to Quantifying the Latency Tolerance Range in Non-Collaborative Musical Performances

Medina Victoria J. An Approach to Quantifying the Latency Tolerance Range in Non-Collaborative Musical Performances. In: AES Convention 136. Audio Engineering Society; 2014.pp. 9023:1-. Available from: https://aes.org/publications/elibrary-page/?id=17170

@inproceedings{MedinaVictoria2014_17170,
  author = {Medina Victoria, Jorge},
  title = {{An Approach to Quantifying the Latency Tolerance Range in Non-Collaborative Musical Performances}},
  booktitle = {AES Convention 136},
  pages = {9023:1-},
  year = {2014},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17170}
}

TY  - CPAPER
TI  - An Approach to Quantifying the Latency Tolerance Range in Non-Collaborative Musical Performances
AU  - Medina Victoria, Jorge
T2  - AES Convention 136
SP  - 1
M1  - Paper 9023
PY  - 2014
DA  - 2014/04/06
UR  - https://aes.org/publications/elibrary-page/?id=17170
PB  - Audio Engineering Society
LA  - en
AB  - Latency is a well-known issue in collaborative music performances over networks such as the Internet. The effects of latency in performances over networks has been researched for the last decade, however, relatively few researches deal with the question of how musicians cope with their own latency in non-collaborative performances (performing music solo). This paper introduces the new concept of Latency Tolerance Range (LTR) and describes a methodological approach in order to develop a listening test, the results of which may demonstrate the influence of the musicians’ performed instruments (chordophones, aerophones, and membranophones) on latency perception.
ER  -