New Studio Strategies in Music Production—The Disappearing Gap between Engineer and Producer

Kling C. New Studio Strategies in Music Production—The Disappearing Gap between Engineer and Producer. In: AES Convention 136. Audio Engineering Society; 2014.pp. 138:1-. Available from: https://aes.org/publications/elibrary-page/?id=17147

@inproceedings{Kling2014_17147,
  author = {Kling, Christopher},
  title = {{New Studio Strategies in Music Production—The Disappearing Gap between Engineer and Producer}},
  booktitle = {AES Convention 136},
  pages = {138:1-},
  year = {2014},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17147}
}

TY  - CPAPER
TI  - New Studio Strategies in Music Production—The Disappearing Gap between Engineer and Producer
AU  - Kling, Christopher
T2  - AES Convention 136
SP  - 1
M1  - Paper 138
PY  - 2014
DA  - 2014/04/06
UR  - https://aes.org/publications/elibrary-page/?id=17147
PB  - Audio Engineering Society
LA  - en
AB  - In an industry of shrinking music production budgets, it is common that the audio engineer and music producer happen to be the same person. New technologies as well as new system designs in hardware and software further enforce this transition—not only in project/home studios. In addition to the risks of this development, there are also benefits: New production and studio strategies enable engineers to be more flexible to the changing demands of clients and artists while working more cost-effectively. This involves changes in common studio architecture and setup and a different recording workflow through the use of new technologies in DAWs, as well as less distinction between recording and mixing. A few specific examples and perspectives will be given.
ER  -