Remixing a Historic Film in Higher Order Ambisonics 3-D Audio—Workflow and Technical Solutions

Falke T, Batke JM, Görne T. Remixing a Historic Film in Higher Order Ambisonics 3-D Audio—Workflow and Technical Solutions. In: AES Convention 136. Audio Engineering Society; 2014. Paper 130. Available from: https://aes.org/publications/elibrary-page/?id=17139

@inproceedings{Falke2014_17139,
  author = {Falke, Tobias and Batke, Johann-Markus and Görne, Thomas},
  title = {{Remixing a Historic Film in Higher Order Ambisonics 3-D Audio—Workflow and Technical Solutions}},
  booktitle = {AES Convention 136},
  note = {Paper 130},
  year = {2014},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=17139}
}

TY  - CPAPER
TI  - Remixing a Historic Film in Higher Order Ambisonics 3-D Audio—Workflow and Technical Solutions
AU  - Falke, Tobias
AU  - Batke, Johann-Markus
AU  - Görne, Thomas
T2  - AES Convention 136
M1  - Paper 130
PY  - 2014
DA  - 2014/04/06
UR  - https://aes.org/publications/elibrary-page/?id=17139
PB  - Audio Engineering Society
LA  - en
AB  - The project investigates the suitability of Higher Order Ambisonics (HOA) 3-D audio for the redesign and remix of historic film soundtracks. Technical and aesthetic challenges and hurdles are studied with scenes of a 1953 french classic. In order to obtain a high degree of immersion and on the other hand also to fix technical limitations of the historical material, some parts of the soundtrack were redesigned. The resulting HOA 3-D mix is claimed to be format agnostic, i.e., it is designed to be used on all common 3-D and also 2-D loudspeaker layouts, given the appropriate rendering system is provided.
ER  -