The Good Vibrations Problem

FitzGerald D. The Good Vibrations Problem. In: AES Convention 134. Audio Engineering Society; 2013. Paper 100. Available from: https://aes.org/publications/elibrary-page/?id=16676

@inproceedings{FitzGerald2013_16676,
  author = {FitzGerald, Derry},
  title = {{The Good Vibrations Problem}},
  booktitle = {AES Convention 134},
  note = {Paper 100},
  year = {2013},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16676}
}

TY  - CPAPER
TI  - The Good Vibrations Problem
AU  - FitzGerald, Derry
T2  - AES Convention 134
M1  - Paper 100
PY  - 2013
DA  - 2013/05/06
UR  - https://aes.org/publications/elibrary-page/?id=16676
PB  - Audio Engineering Society
LA  - en
AB  - Many of the Beach Boys’ records were mono only as this was Brian Wilson's preferred format. However, starting in the mid-1990s, stereo mixes of many of these classics were created by synchronizing the tracks from the instrumental multitrack with those of the vocal multitrack. Unfortunately, for a number of tracks, including “Good Vibrations,” elements of the multitracks were missing, making a true stereo mix impossible. This paper deals with how stereo extraction mixes were created for a number of Beach Boys’ songs using sound source separation techniques to separate sources from the original mono recordings, which were then panned to create stereo mixes. These mixes were used in reissues of Beach Boys albums in 2012.
ER  -