Stokowski and the Evolution of Recording Techniques

Rumsey F, Auld R. Stokowski and the Evolution of Recording Techniques. J Audio Eng Soc. 2012;60(7/8):627-630. Available from: https://aes.org/publications/elibrary-page/?id=16370

@article{Rumsey2012_16370,
  author = {Rumsey, Francis and Auld, Robert},
  title = {{Stokowski and the Evolution of Recording Techniques}},
  journal = {Journal of the Audio Engineering Society},
  volume = {60},
  number = {7/8},
  pages = {627--630},
  year = {2012},
  month = jul,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16370}
}

TY  - JOUR
TI  - Stokowski and the Evolution of Recording Techniques
AU  - Rumsey, Francis
AU  - Auld, Robert
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 60
IS  - 7/8
SP  - 627
EP  - 630
PY  - 2012
DA  - 2012/07/06
UR  - https://aes.org/publications/elibrary-page/?id=16370
PB  - Audio Engineering Society
LA  - en
AB  - [Feature] Leopold Stokowski was active as a recording artist from 1917 until 1977—virtually the entire period of the recording of music by analog technology. Robert Auld’s multimedia presentation at the 131st Convention paid special attention to Leopold Stokowski’s involvement in the development of multichannel sound recording, including his collaboration with Bell Labs starting in 1932, his work with Walt Disney for the film Fantasia, and his encouragement of recording in quadraphonic sound in the 1970s.
ER  -