S. Merchel, M. E. Altinsoy, and M. Stamm, “Touch the Sound: Audio-Driven Tactile Feedback for Audio Mixing Applications,” J. Audio Eng. Soc., vol. 60, no. 1/2, pp. 47–53, Jan. 2012.
Merchel S, Altinsoy ME, Stamm M. Touch the Sound: Audio-Driven Tactile Feedback for Audio Mixing Applications. J Audio Eng Soc. 2012;60(1/2):47-53. Available from: https://aes.org/publications/elibrary-page/?id=16165
@article{Merchel2012_16165,
author = {Merchel, Sebastian and Altinsoy, M. Ercan and Stamm, Maik},
title = {{Touch the Sound: Audio-Driven Tactile Feedback for Audio Mixing Applications}},
journal = {Journal of the Audio Engineering Society},
volume = {60},
number = {1/2},
pages = {47--53},
year = {2012},
month = jan,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=16165}
}
TY - JOUR
TI - Touch the Sound: Audio-Driven Tactile Feedback for Audio Mixing Applications
AU - Merchel, Sebastian
AU - Altinsoy, M. Ercan
AU - Stamm, Maik
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 60
IS - 1/2
SP - 47
EP - 53
PY - 2012
DA - 2012/01/06
UR - https://aes.org/publications/elibrary-page/?id=16165
PB - Audio Engineering Society
LA - en
AB - In this study experiments were conducted to determine if a person could distinguish percussive audio loops by their fingertips using audio-driven tactile feedback. The audio signal was adapted to generate a vibration signal (tactile feedback) taking into account the limited capabilities of the tactile modality. A systematic approach to find the different adaptation parameters is discussed. The vibrations were created by an electrodynamic shaker mounted behind a touch-sensitive screen. Results indicate percussive loops are best distinguished if the source features (e.g., frequency spectrum) and sequence features (e.g., rhythm) are maintained.
ER -