Musical Movements—Gesture Based Audio Interfaces

Churnside A, Pike C, Leonard M. Musical Movements—Gesture Based Audio Interfaces. In: AES Convention 131. Audio Engineering Society; 2011. Paper 8496. Available from: https://aes.org/publications/elibrary-page/?id=16022

@inproceedings{Churnside2011_16022,
  author = {Churnside, Anthony and Pike, Chris and Leonard, Max},
  title = {{Musical Movements—Gesture Based Audio Interfaces}},
  booktitle = {AES Convention 131},
  note = {Paper 8496},
  year = {2011},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=16022}
}

TY  - CPAPER
TI  - Musical Movements—Gesture Based Audio Interfaces
AU  - Churnside, Anthony
AU  - Pike, Chris
AU  - Leonard, Max
T2  - AES Convention 131
M1  - Paper 8496
PY  - 2011
DA  - 2011/10/06
UR  - https://aes.org/publications/elibrary-page/?id=16022
PB  - Audio Engineering Society
LA  - en
AB  - Recent developments have led to the availability of consumer devices capable of recognising certain human movements and gestures. This paper is a study of novel gesture-based audio interfaces. The authors present two prototypes for interacting with audio/visual experiences. The first allows a user to ‘conduct’ a recording of an orchestral performance, controlling the tempo and dynamic. The paper describes the audio and visual capture of the orchestra and the design and construction of the audio-visual playback system. An analysis of this prototype, based on testing and feedback from a number of users, is also provided. The second prototype uses the gesture tracking algorithm to control a three-dimensional audio panner. This audio panner is tested and feedback from a number of professional engineers is analysed.
ER  -