Toward a Computational Model of Perceived Spaciousness in Recorded Music

Sarroff AM, Bello JP. Toward a Computational Model of Perceived Spaciousness in Recorded Music. J Audio Eng Soc. 2011;59(7/8):498-513. Available from: https://aes.org/publications/elibrary-page/?id=15975

@article{Sarroff2011_15975,
  author = {Sarroff, Andy M. and Bello, Juan P.},
  title = {{Toward a Computational Model of Perceived Spaciousness in Recorded Music}},
  journal = {Journal of the Audio Engineering Society},
  volume = {59},
  number = {7/8},
  pages = {498--513},
  year = {2011},
  month = jul,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15975}
}

TY  - JOUR
TI  - Toward a Computational Model of Perceived Spaciousness in Recorded Music
AU  - Sarroff, Andy M.
AU  - Bello, Juan P.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 59
IS  - 7/8
SP  - 498
EP  - 513
PY  - 2011
DA  - 2011/07/06
UR  - https://aes.org/publications/elibrary-page/?id=15975
PB  - Audio Engineering Society
LA  - en
AB  - A validated computational model of perceived spaciousness in sound recordings serves to represent the subjective experience of listeners. Three dimensions of spaciousness form the basis of the model: width of source ensemble, extent of reverberation, and extent of immersion. The model is trained and tested to learn the audio parameters that contribute to these three dimensions. The resulting model predicted spaciousness 32% above that of a baseline predictor. The model can be used to show an audio engineer the value of the three dimensions in real time.
ER  -