A. B. Horner, J. W. Beauchamp, and R. H. Y. So, “Evaluation of Mel-Band and MFCC-Based Error Metrics for Correspondence to Discrimination of Spectrally Altered Musical Instrument Sounds,” J. Audio Eng. Soc., vol. 59, no. 5, pp. 290–303, May 2011.
Horner AB, Beauchamp JW, So RHY. Evaluation of Mel-Band and MFCC-Based Error Metrics for Correspondence to Discrimination of Spectrally Altered Musical Instrument Sounds. J Audio Eng Soc. 2011;59(5):290-303. Available from: https://aes.org/publications/elibrary-page/?id=15930
@article{Horner2011_15930,
author = {Horner, Andrew B. and Beauchamp, James W. and So, Richard H. Y},
title = {{Evaluation of Mel-Band and MFCC-Based Error Metrics for Correspondence to Discrimination of Spectrally Altered Musical Instrument Sounds}},
journal = {Journal of the Audio Engineering Society},
volume = {59},
number = {5},
pages = {290--303},
year = {2011},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=15930}
}
TY - JOUR
TI - Evaluation of Mel-Band and MFCC-Based Error Metrics for Correspondence to Discrimination of Spectrally Altered Musical Instrument Sounds
AU - Horner, Andrew B.
AU - Beauchamp, James W.
AU - So, Richard H. Y
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 59
IS - 5
SP - 290
EP - 303
PY - 2011
DA - 2011/05/06
UR - https://aes.org/publications/elibrary-page/?id=15930
PB - Audio Engineering Society
LA - en
AB - An objective measure of the subjective timbral difference between two musical sounds is a difficult problem. Mel-band-based metrics and single mel-frequency ceptral coefficient were considered as a way of improving results obtained from previous methods based on harmonic and critical-band error metrics. Results indicate that timbral discrimination is determined by the first 5 to 10 harmonics rather than the broad spectral envelope. More sophisticated methods do not offer significant advantage.
ER -