S. Merchel, E. Altinsoy, and M. Stamm, “Tactile Music Instrument Recognition for Audio Mixers,” in Proc. AES Convention 128, May 2010, Paper 8142. [Online]. Available: https://aes.org/publications/elibrary-page/?id=15438
Merchel S, Altinsoy E, Stamm M. Tactile Music Instrument Recognition for Audio Mixers. In: AES Convention 128. Audio Engineering Society; 2010. Paper 8142. Available from: https://aes.org/publications/elibrary-page/?id=15438
@inproceedings{Merchel2010_15438,
author = {Merchel, Sebastian and Altinsoy, Ercan and Stamm, Maik},
title = {{Tactile Music Instrument Recognition for Audio Mixers}},
booktitle = {AES Convention 128},
note = {Paper 8142},
year = {2010},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=15438}
}
TY - CPAPER
TI - Tactile Music Instrument Recognition for Audio Mixers
AU - Merchel, Sebastian
AU - Altinsoy, Ercan
AU - Stamm, Maik
T2 - AES Convention 128
M1 - Paper 8142
PY - 2010
DA - 2010/05/06
UR - https://aes.org/publications/elibrary-page/?id=15438
PB - Audio Engineering Society
LA - en
AB - The use of touch screens for digital audio workstations, particularly audio mixing consoles, is not very common today. One reason is the ease of use and the intuitive tactile feedback that hardware faders, knobs and buttons provide. Adding tactile feedback to touch screens will largely improve usability. In addition touch screens can reproduce innovative extra tactile information. This paper investigates several design parameters for the generation of tactile feedback. The results indicate that music instruments can be distinguished if tactile feedback is rendered from the audio signal. This helps to improve recognition of an audio signal source that is assigned e.g. to a specific mixing channel. Applying this knowledge, the use of touch screens in audio applications becomes more intuitive.
ER -