Audio Spatialization for The Morning Line

Malham DG, Myatt T, Larkin O, Worth P, Paradis M. Audio Spatialization for The Morning Line. In: AES Convention 128. Audio Engineering Society; 2010. Paper 8073. Available from: https://aes.org/publications/elibrary-page/?id=15370

@inproceedings{Malham2010_15370,
  author = {Malham, David G. and Myatt, Tony and Larkin, Oliver and Worth, Peter and Paradis, Matthew},
  title = {{Audio Spatialization for The Morning Line}},
  booktitle = {AES Convention 128},
  note = {Paper 8073},
  year = {2010},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15370}
}

TY  - CPAPER
TI  - Audio Spatialization for The Morning Line
AU  - Malham, David G.
AU  - Myatt, Tony
AU  - Larkin, Oliver
AU  - Worth, Peter
AU  - Paradis, Matthew
T2  - AES Convention 128
M1  - Paper 8073
PY  - 2010
DA  - 2010/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15370
PB  - Audio Engineering Society
LA  - en
AB  - The Morning Line is a large scale outdoor sculpture with a multi-dimensional sound system consisting of 41 small weatherproof main speakers and 12 subs, configured in 6 surround arrays, or "rooms", distributed throughout the sculpture. The irregular nature of these arrays necessitated the use of VBAP panning on the sculpture but when preparing works to be played on it, Ambisonics is more often used. This paper describes the hardware and software developed for the sculpture, theories of spatial audio perception which prompted the design approach, as well as the production facilities provided for the composers whose works are performed on The Morning Line.
ER  -