Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements

Hoadley R. Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements. In: AES Convention 128. Audio Engineering Society; 2010.pp. 8002:1-12. Available from: https://aes.org/publications/elibrary-page/?id=15299

@inproceedings{Hoadley2010_15299,
  author = {Hoadley, Richard},
  title = {{Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements}},
  booktitle = {AES Convention 128},
  pages = {8002:1-12},
  url = {https://aes.org/publications/elibrary-page/?id=15299},
  year = {2010},
  month = may,
  publisher = {Audio Engineering Society}
}

TY  - CPAPER
TI  - Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements
AU  - Hoadley, Richard
T2  - AES Convention 128
SP  - 1
EP  - 12
M1  - Paper 8002
PY  - 2010
DA  - 2010/05/06
UR  - https://aes.org/publications/elibrary-page/?id=15299
PB  - Audio Engineering Society
LA  - en
AB  - Electronic music, even when designed to be interactive, can lack performance interest and is frequently musically unsophisticated. This is unfortunate because there are many aspects of electronic music that can be interesting, elegant, demonstrative and musically informative. The use of dancers to interact with prototypical interfaces comprising clusters of sensors generating music algorithmically provides a method of investigating human actions in this environment. This is achieved through collaborative work involving software and hardware designers, composers, sculptors and choreographers who examine aesthetically and practically the interstices of these disciplines. The proposed paper investigates these interstices.
ER  -